Well, blogosphere: I’m no fan of the cliche “it’s been awhile” apology post, but nevertheless here I am. Apologizing. It has been awhile – too much “while” in fact – but the silence from the editorial end of TBG is not without reason.
I’ve been busy! As of this week, you can find my wordsmith-ery over at YES! Magazine, where I’ve set up shop as Web Editorial Assistant. Part of this move is a literal move – from the Windy City to the Emerald City of Seattle, WA. So: when I’m not being drizzled on by the Pacific Northwest’s near-permanent sprinklings or getting the wind sucked out of me hustling my broke-ass up the mountainous terrain, I’ll be busy. With YES!, with a book that I’m helping a colleague put together, with explorations into something called data visualization, with a blog-zine I’m building with fellow writers, and, finally, with a renewed promise to make good on my stand up comedy ambitions. But not too busy to post here - because I see TBG as a space to both experiment and think through the big questions, but always to return to the meta-story that’s being written by all of us, by the hour. That story, as Andy Revkin puts it, is our “coming of age on a finite planet.”
So, onward! Since much of my energy will be channeled into my new work at YES! Magazine, I won’t be shy about re-posting some of that content here – but only when it’s relevant. To kick it off, here’s a video and some short commentary I posted on the YES! website today:
—
When it comes to the thinly-veiled political message in James Cameron’s mega-blockbuster Avatar, there may be no more authoritative commentary than that of indigenous Amazonian communities. One doesn’t have to dig deep to see that Pandora—the lush and richly imagined alien world of Cameron’s invention—mirrors what’s left of the Amazon: its biodiversity, its destruction, and its inhabitants’ struggle for cultural survival.
Members of indigenous groups from Ecuador’s Amazon region recently hopped a bus to Quito, where they strapped on the 3-D goggles and offered some personal takes on the film.
“So good. Very, very good,” said one movie-goer, “to be able to reflect and see that the basis of the struggle is not sporadic, but rather a deep struggle—a struggle for the dreams of our ancestors.”
Blanca Chancoso was more critical, putting a finger on Hollywood’s penchant for shoot-’em-up diplomacy: “In the movie, it doesn’t show dialogue,” she says. “It shows war. It’s as if the only solution is war—and to begin with, we see that the conflict is not resolved because everything is left destroyed. And at the same time, human lives were lost. So I believe there should be another message.”
—
That’s the YES! take. But what about the TBG take? I think it’s interesting to remember that as we struggle with making sustainability a reality – while energy use skyrockets and cultural ambitions for “more and better” still burn hot – humans have already achieved civilization without overshoot. Those civilizations are called Iriquois, Navajo, Seneca, Kikahiabilo and Kitchwa. There’s a tendency for white guys to both romanticize and patronize to the first cultures, ascribing utopian and primitivist qualities to indigenous communities we’ve never lived in. But this much is clear: indigenous cultures are the prototypes of “local.” They’re the very definition, in fact, of living in connection with the natural world – a connection not at all utopian or even romantic, but fundamentally functional. Mainstream culture is learning this lesson now.
I’m glad to hear this indigenous take on Avatar, a movie whose political outsights and shoot-’em-up solutions are, of course, Western ones. But there are others. We’d do well to listen for them.












Recent Comments